Von Japan bis Hollywood: Alle Godzilla-Filme auf einen Blick. Legendär: Godzilla fasziniert. Befehl aus dem Dunkel. GRATIS-Versand durch Amazon. Für alle Kunden mit Bestellungen über 29 € und Versand durch Amazon. Kategorie. Beliebige Kategorie; DVD & Blu-ray; Filme.
Alle Godzilla-Filme – und unsere EmpfehlungenWir verraten dir welche Filme zur Filmreihe Godzilla gehören und vielleicht noch geplant Godzilla, Mothra and King Ghidorah - Giant Monsters All-Out Attack. Hier findet ihr eine Liste aller Godzilla-Filme, die bis zum Jahr in Japan gedreht wurden. Wenn ihr mehr über einen bestimmten Film wissen wollt, klickt. Frankensteins Monster jagen Godzillas Sohn.
Alle Godzilla Filme Die Filme „Godzilla“ in richtiger Reihenfolge VideoLocating all Monarch Outposts of 23 Monsters in Godzilla: KOTM 2019
Der 1996 verstorbene The Walking Dead Staffel 7 Folge 3 Deutsch gilt als Splatterpapst. - Platz 3: „Shin Godzilla” (2016)Da kann man schnell bei so mancher Filmreihe die Übersicht verlieren.
Hiroshi Kashiwabara. Godzilla , SpaceGodzilla , MOGUERA , LittleGodzilla , Fairy Mothra , Mothra.
Burning Godzilla , Destoroyah , Godzilla Junior. Dean Devlin Roland Emmerich. Godzilla , Baby Godzilla. Hiroshi Kashiwabara Wataru Mimura.
Keiichi Hasegawa Masahiro Yokotani Shusuke Kaneko. Godzilla , Baragon , Mothra larva and imago , King Ghidorah. Godzilla , Kiryu , First Generation Godzilla.
Godzilla, Mothra, Mechagodzilla: Tokyo S. Masahiro Yokotani Masaaki Tezuka. Godzilla , Kiryu , Mothra imago and larvae , Kamoebas. Wataru Mimura Isao Kiriyama.
Godzilla , MUTO winged male and eight-legged female. Fifteen years later, Joe and Sandra's son Ford, a U. Navy EOD officer, returns from a tour of duty to his wife Elle and son Sam in San Francisco , but must immediately depart for Japan after Joe is detained for trespassing in Janjira's quarantine zone.
Joe is determined to find out the cause of the meltdown, and persuades Ford to accompany him to retrieve vital data from their old home.
They discover the zone is uncontaminated and retrieve the data, but are discovered and taken to a facility in the plant's ruins.
The facility harbors a massive chrysalis that had been feeding off of the plant's reactors for 15 years and emitting strong electro-magnetic pulses over time.
A giant winged insect-like creature emerges from the chrysalis and escapes, destroying the facility. Joe is severely injured and later dies.
The incident is reported as an earthquake. Serizawa and Graham join a U. Navy task force led by Admiral William Stenz to search for the creature, dubbed " MUTO " Massive Unidentified Terrestrial Organism.
Serizawa and Graham reveal to Ford that a deep sea expedition awakened Godzilla and nuclear tests in the s were really attempts to kill him and when this did not work, Project Monarch was established to secretly study Godzilla and similar monsters.
They also explain the MUTO caused the Janjira meltdown. Ford reveals Joe had monitored echolocation signals indicating the MUTO was communicating with something, presumably Godzilla.
The MUTO attacks a Russian submarine and drops it in O'ahu to eat its nuclear material. Godzilla arrives, causing a tsunami in Honolulu , and briefly engages the MUTO in battle until the MUTO flees.
Serizawa deduces the MUTO was communicating with something else and that Godzilla was just listening, prompting the military to investigate the other spore stored in the Yucca Mountain nuclear waste repository in Nevada.
However, a second, bigger, wingless MUTO has already emerged, and attacks Las Vegas. The scientists deduce that it is female and was what the male was communicating with, their signals being a mating call.
Over the scientists' objections, Stenz approves a plan to use nuclear warheads to lure all three monsters out to the open ocean and destroy them.
Returning to the U. The remaining warhead is airlifted with Ford to San Francisco, where the monsters are converging, and activated after Godzilla appears at the Golden Gate Bridge , only for the male MUTO to snatch it and take it to the female, who forms a nest around it in the Chinatown area.
While Godzilla and the MUTOs battle, Ford and a strike team enter the city via HALO jump to find and disarm the warhead before it detonates.
Unable to access the timer, the team gets the warhead on a boat for disposal at sea, while Ford destroys the nest.
Godzilla defeats the MUTOs and collapses on the shore from exhaustion. Ford gets the boat out to open sea, is rescued before the warhead explodes, and reunites with his family at an emergency shelter the following morning.
Godzilla reawakens and returns to the sea, while the media dubs him the "King of the Monsters" and speculate whether he might be a savior.
Additional roles include: Carson Bolde as Sam Brody; Richard T. Jones as Captain Russell Hampton; Victor Rasuk as Sergeant Tre Morales; Patrick Sabongui as Master Sergeant Marcus Waltz, USAF; Jared Keeso as Jump Master; Al Sapienza as Huddleston, the head of security at the Janjira MUTO facility; Brian Markinson as Whalen, a scientist at the Janjira MUTO facility; Catherine Lough Haggquist as PO 1 Martinez; Jake Cunanan as Akio; Warren Takeuchi as Akio's father; Yuki Morita as Akio's mother; Ken Yamamura as Takashi, Joe's associate at the Janjira facility; Hiro Kanagawa as Hayato, a technician at the Janjira facility; Garry Chalk as Stan Walsh; and Christian Tessier as a technician.
Godzilla franchise actor Akira Takarada was cast as an immigration officer, but his scene was cut from the final film. Edwards stated cutting the scene was his "biggest regret".
Edwards had cited Godzilla as an inspiration on the film. We tried to keep that, and there are a lot of themes from the '54 movie that we've kept.
On why Edwards chose a restrained direction, he stated, "I felt that in modern cinema it's so easy to just throw everything at the screen constantly.
We were trying to do the same thing here. Katsuhiro Otomo 's Akira had also influenced the visual design of the film, Edwards stated, "One of our designers on the film - a friend called Matt - when we were designing things, and got stuck, we'd always go, 'What would Akira do?
Production Credits . The film is a co-production  of Legendary Pictures and Warner Bros. Pictures, with the participation of Toho in creature design, sound design and plot.
Pictures' first new Godzilla property since 's Gigantis, the Fire Monster. After the release of 's Godzilla: Final Wars , marking the 50th anniversary of the Godzilla film franchise, Toho announced that it would not produce any films featuring the Godzilla character for ten years.
Toho demolished the water stage on its lot used in numerous Godzilla films to stage water scenes. In August , Yoshimitsu Banno , who had directed 's Godzilla vs.
Hedorah , announced that he had secured the rights from Toho to make a Godzilla IMAX 3D short film at his Advanced Audiovisual Productions AAP production company.
The film was tentatively titled Godzilla 3D to the Max , and was to be a remake of the Godzilla vs. Hedorah story. In , also through Anderson, Kerner Optical then came on board to develop the technology and to produce the 3-D film  and with Kerner's backing, in the fall of , the team met with Toho in Tokyo where they re-negotiated their license to allow the release of a feature-length 3-D theatrical production.
In , Rogers, Anderson and the then-proposed director Keith Melton met with Legendary Pictures to get their backing on a 3-D theatrical film.
In , it was green-lit by Legendary to go to production. In November , Banno stated that he still planned to make a sequel to Godzilla vs. Hedorah ;  however, Banno passed away on May 7, In August , rumors surfaced that Legendary was in talks with Toho to produce a new American Godzilla film to be released in ,  and on March 29, , Legendary officially announced its acquisition of the Godzilla license.
According to Hideyuki Takai, president of Toho Co. We intend to do justice to those essential elements that have allowed this character to remain as pop culturally relevant for as long as it has.
At the 3D Summit conference held in September at Universal Studios , producer Brian Rogers confirmed a targeted release date for , the reboot will be a live-action project featuring a fully computer-generated Godzilla battling two other monsters rather than simply the military as seen in Emmerich's film.
Rogers also confirmed that the two Godzilla head designs online rumored to have been designed by Legendary and sent to Toho for approval were fake.
Rogers also stressed his and Legendary's wish to revive Godzilla in the same fashion Legendary had revived Batman.
In October , it was rumoured that Guillermo del Toro was approached to direct the film, which del Toro later denied. It must be brilliant in every category because I'm a fan as well.
The film remained in development into , missing the planned release date. Edwards worked on his vision for the film at a stage at the Warner Bros.
The production team developed Godzilla models, artwork and pre-visualizations of the action scenes of the movie.
From the lot, Edward directed a short teaser video, shown to Legendary executives and later shown at the San Diego Comic-Con International in July In , David Callaham pitched his take on Godzilla to Legendary and Warner Bros.
But the reason I got excited about it is because I saw themes and relationships to the modern world that I could tell in this story that was important.
When Edwards' signing was announced, it was also announced that Callaham's first draft would be rewritten by another writer.
Goyer was attached to rewrite the script. In January , Frank Darabont was hired for a final rewrite. The film would add a "very compelling human drama" and that Godzilla would be tied to a "different contemporary issue" rather than the original atomic bomb testing.
Commenting on Darabont's work, Edwards stated, "We blocked out the whole story and Frank did a pass at helping the characters and emotions.
He delivered on that. Frank brought a lot of heart to it and soul. In July , Edwards confirmed an origin story for the film.
He also discussed the themes incorporated into the film, stating "Godzilla is definitely a representation of the wrath of nature.
We've taken it very seriously and the theme is man versus nature and Godzilla is certainly the nature side of it.
You can't win that fight. Nature's always going to win and that's what the subtext of our movie is about. He's the punishment we deserve".
Actor Bryan Cranston praised Edwards' vision, tone, and pitch for the film and titular character. In an interview with Canada's Entertainment Tonight, he compared Edwards' approach similar to Steven Spielberg 's style in Jaws where the film does not immediately show the beast but rather build up to its appearance while still delivering an eerie and terrifying off-screen presence.
In licensing Godzilla to Legendary, Toho set down some specific conditions: that Godzilla is born of a nuclear incident and it be set in Japan.
The film has a title montage set in , and then moves forward to and deals with a mysterious disaster at a fictional Japanese nuclear power plant named Janjira.
The idea was rejected after the production learned that Man of Steel had a potentially similar scene. Producer Thomas Tull made it clear that Godzilla's design had to be accurate, stating, "We had to make triply sure we got it right.
Godzilla had to look like Godzilla. Edwards and the design group reviewed all previous incarnations of Godzilla's design for inspiration. Edwards stated, "The way I tried to view it was to imagine Godzilla was a real creature and someone from Toho saw him in the s and ran back to the studio to make a movie about the creature and was trying their best to remember it and draw it.
And in our film you get to see him for real. In October , toy and collectible web sites offering pre-orders of merchandise for the film revealed aspects of the other creatures to appear in the movie.
The other creatures are, as a group, known as "MUTOs", with some having the ability to fly and being multi-limbed.
For Empire magazine's April issue, the magazine cover featured a picture of Godzilla, revealing the monster's design. According to Edwards, elements of the faces of bears, dogs and eagles were incorporated into the design of Godzilla's face.
Serkis stated that the film's performance capture had already been filmed before he was approached. The Godzilla roar was revamped for the movie.
According to Edwards, sound designer Erik Aadahl improved on the original sound effect provided by Toho. Using microphones that could record sound inaudible to humans, the team found sounds to match the initial shriek and the finishing bellow.
The new roar retains the musical key and cadence of the roar, going from a C to a D. The final version was the 50th the team produced.
The pair tested the roar on a back lot at Warner Bros. In an interview with The Verge , Edwards commented that it took over a year to design the MUTO creatures because the crew wanted to create something new and different for contemporary audiences.
Edwards and the design team looked to creatures from such films as Jurassic Park , Alien , Starship Troopers and King Kong for inspiration, reflecting on what made their designs so iconic.
From this, the design for the MUTOs kept evolving and "mutating," according to Edwards, into a cohesive design. Storm provided the performance capture for Godzilla   while Matt Cross and Lee Ross provided additional motion capture performances.
In late , the plans for the film's filming, release and distribution were revealed. In September , Legendary announced a theatrical release date of May 16, , in 3-D.
Legendary turned its attention to casting parts for the movie. On January 7, , it was reported that Joseph Gordon-Levitt had turned down being cast in the film in the fall of It was reported that Henry Cavill , Scoot McNairy , and Caleb Landry Jones comprised the shortlist for lead of the film.
In January , Mary Parent joined the project as a producer for Disruption Entertainment. According to the complaint, Legendary had decided in the fall of to not employ the three as producers on the film and the three were not eligible for any producer fees.
The three argued that the suit should be decided in open court, not in arbitration, and that Legendary should be responsible for damages for breach of contract.
At the start of principal photography in March , Legendary formally announced the cast and producers. Jones and Sally Hawkins were added. Takarada had publicly appealed to be part of the production and the photo indicates some sort of role for the Japanese actor in the reboot.
In April , Takarada said in an interview that his role was cut from the final version of the film. He had the role of an immigration officer.
Principal photography began on March 18, , in Vancouver, under the working title of "Nautilus,"  with scenes shot at the Vancouver Convention Centre ,  inside BC Place , and at Hi-View Lookout in Cypress Provincial Park, West Vancouver as San Francisco's Bay Area Park.
This was followed by filming in the Richmond neighborhood of Steveston. A large battle scene was shot on Moncton St, involving approximately soldiers and many military vehicles.
Another scene was filmed at the fisherman's wharf along Finn Slough. Additional shooting took place on Vancouver Island , around Nanaimo  and Victoria in British Columbia.
Additional filming involving extras took place around industrial areas of Coquitlam , British Columbia. The scenes at the Convention Centre stood in for the Honolulu and Tokyo airports, while other locations in Vancouver were used to simulate scenes in San Francisco, Tokyo and the Philippines.
Further on-location filming was done in June and July in Honolulu, Hawaii. In an interview, Aaron Taylor-Johnson described the filming as mostly on-location, with very little use of green screens.
Taguri Cercetator , Bomba , Pescuit , Blockbuster , Peste , Capcana , Submarin , Monstru. Data Rating. Raps09 pe 16 Aprilie MikkaelWolfganger pe 4 octombrie Nu filmul asta a facut asa zisa legenda in lumea filmelor, ci cel japonez din :.
YgReK pe 22 August Un film foarte bun!!! Radu pe 16 Aprilie Este un film tocmai din anul ,dar cred ca pentru acea perioada este destul de bun,sunt sigur ca daca se lansa in cu ceva efecte speciale mai performante,era lider la audienta Filmul Godzila, excelent de bine realizat in din toate punctele de vedere, desi se incadreaza perfect mai ales in genul SF-Fantasy in afara de thriller, horror, drama, ne da de gandit in modul cel mai serios prin tematica-scenariul propus In urma unor diverse teste sau experiente nucleare ale caror prime rezultate au fost marile radiatii, un alt rezultat mult mai infricosator se prefigureaza la orizont : crearea unui monstru infricosator la vedere, de dimensiuni gigantice, extrem de puternic si feroce.
Era suficienta doar simpla lui aparitie pentru a starni o panica, o groaza de nedescris, o adevarata psihoza in randurile cetatenilor.
Ihre E-Mail wird von uns weder veröffentlicht noch erhalten Sie Werbung. Kommentar abschicken. Necessary cookies are absolutely essential for the website to function properly.
This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies.
It is mandatory to procure user consent prior to running these cookies on your website. Recherchierte Reihenfolgen: Godzilla.
Emmerich and Devlin wrote the script on spec, with the condition that the screenplay would return to the filmmakers if the studio did not immediately approve it.
Emmerich and Devlin wrote the first draft in five and a half weeks at Emmerich's vacation house in Puerto Vallarta, Mexico. Emmerich and Devlin decided to abandon the Atlantis origin established in Elliott and Rossio's script in favor of the radiation origin established in the Toho films, Devlin stated, "In some of the early drafts of the script by others, they had Godzilla being an alien planted here.
Emmerich and Devlin also abandoned Godzilla's iconic atomic breath in favor of a "power breath", where their Godzilla would simply blow objects away by exhaling a strong wind-like breath.
We make the assumption that something in his breath, when it comes in contact with flame, causes combustive ignition. So you get this flame-thrower effect, which causes everything to ignite.
The first draft was submitted to Sony on December 19, , then-President of Sony Pictures John Calley forwarded the script to Bob Levin of marketing to brainstorm marketing ideas.
TriStar green-lit the film soon after Emmerich and Devlin's completion of the first draft, bestowing complete creative freedom to write, produce, and direct on the filmmakers, while the studio managed financing, distribution and merchandising deals.
Instead of employing Digital Domain as Jan de Bont planned for his Godzilla, Emmerich and Devlin decided to use their own effects team such as Volker Engel as the film's visual effects supervisor, Joe Viskocil as miniature effects supervisor, Clay Pinney as mechanical effects supervisor, and William Fay as executive producer of the team.
Viewpoint DataLabs created a digital model of Godzilla, nicknamed "Fred", for scenes that required a digital rendition of the monster.
For scenes that required practical effects, Tatopoulos' studio created a 6th-scale animatronic model of Godzilla's upper-body as well as a 24th-scale Godzilla suit donned by stuntman Kurt Carley, however, the filmmakers favored CG over practical effects and as a result, the final film features digital shots, of which feature Godzilla, and only two dozen practical effects used in the final film.
Principal photography began on May 1, and wrapped on September 26, , filming took place in New York City, and moved to Los Angeles in June.
An F Marine Reserve pilot, Col. Dwight Schmidt, actually piloted the plane that "fired" the missiles that killed Godzilla. The soundtrack featuring alternative rock music was released on May 19, by Epic Records.
The original score was composed by David Arnold. The film's score was not released on CD until 9 years later, when it went on sale as a complete original film score in by La La Land Records.
The album was supported by the single " Come with Me " performed by Sean Combs and Jimmy Page. While initially we reacted negatively to that, once we understood their thinking behind it, it became completely acceptable to us.
The trailer received overwhelmingly positive reactions from audiences. It debuted in selected screenings of Men in Black around that time.
Months following afterwards, a full trailer was later released and was shown in screenings of Starship Troopers. On November 3, , the film was released on VHS and DVD in the United States.
On December 13, , the film was released on Universal Media Disc. This release retained the same special features from the initial Blu-ray release, as well as a new Dolby Atmos audio mix.
Godzilla received generally negative reviews from critics. The site's critical consensus reads: "Without compelling characters or heart, Godzilla stomps on everything that made the original or any monster movie worth its salt a classic.
Roger Ebert from the Chicago Sun-Times gave the film one-and-a-half stars out of four, noting that "One must carefully repress intelligent thought while watching such a film.
The movie makes no sense at all except as a careless pastiche of its betters and, yes, the Japanese Godzilla movies are, in their way, better—if only because they embrace dreck instead of condescending to it.
You have to absorb such a film, not consider it. But my brain rebelled, and insisted on applying logic where it was not welcome.
James Berardinelli from ReelViews , called the film "one of the most idiotic blockbuster movies of all time, it's like spitting into the wind.
Emmerich and Devlin are master illusionists, waving their wands and mesmerizing audiences with their smoke and mirrors. It's probably too much to hope that some day, movie-goers will wake up and realize that they've been had.
How much further will the dumbing down of the event movie have to go before the audience stops buying tickets? Michael O'Sullivan of The Washington Post queried, "The question is this: Are the awe-inspiring creature effects and roaring battle scenes impressive enough to make you forget the stupid story, inaccurate science and basic implausibility?
There's Doug Savant from Melrose Place as O'Neal, a scaredy-cat military man who looks like Sgt. Rock and acts like Barney Fife. There's Maria Pitillo House Rules as Nick's soporific love interest, Audrey; The Simpsons ' Hank Azaria and Harry Shearer as a wise-cracking news cameraman and superficial reporter; Vicki Lewis of NewsRadio as a lusty scientist.
Shall I continue? For a while, the filmmakers honor the sentimental paradox that seeped into the later Godzilla films: that this primitive destroyer, like King Kong , doesn't actually mean any harm.
Director Emmerich later admitted regretting the film's production, particularly due to the rushed shooting schedule that was required for a Memorial Day weekend release and the studio's insistence on not test-screening the film.
However, he defended the film as better than critics gave it credit for, as it was financially successful, and out of all the films he directed, it was the one which parents told him their children enjoyed the most.
In later years, producer Devlin stated that he "screwed up" his Godzilla, mainly blaming the script that he co-wrote with Emmerich as the source of the film's failure.
We made the intellectual decision to have him be neither and just simply an animal trying to survive. At the time we told the audience who these characters were, they had already made their minds up about them and we could not change that perception".
Devlin concluded by stating, "These were 2 serious mistakes in the writing of the film, and I take full responsibility. During a interview on Gilbert Gottfried 's Amazing Colossal Podcast!
Apart from suggesting he may have been miscast, he admitted to failing to understand the film's poor reputation, given that it made "a lot of money" and was the result of a large group of people's hard work.
He also described Roland Emmerich as "a very good friend. One of the golden assets of our time, which was hand-delivered to them, was managed as poorly and ineptly as anybody can manage an asset.
They took a jewel and turned it into dust. Veteran Godzilla actors Haruo Nakajima and Kenpachiro Satsuma , as well as Shusuke Kaneko who would later direct Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack , were also critical of the film and its character.
Nakajima stated "its face looks like an iguana and its body and limbs look like a frog". Kaneko pondered on the treatment the character was given by the studio, stating, "It is interesting [that] the US version of Godzilla runs about trying to escape missiles Americans seem unable to accept a creature that cannot be put down by their arms.
It would appear that to them, he's just a giant lizard. The film was nominated and won several awards in — Furthermore, it was screened out of competition at the Cannes Film Festival.
TriStar planned to produce a trilogy of Godzilla films upon acquiring the license for Godzilla in Emmerich had considered using the Monster Island concept from the Toho films with the intention of creating something wild, as well as including six or seven monsters, stating, "We'll probably come up with other monsters because we don't want to tie ourselves too much to certain things".
The second one is remarkably different from the first one, and if it's embraced, a third one would make a whole lot of sense.
I don't see us doing more than three, but I would love to finish out telling the story. Emmerich and Devlin commissioned a treatment from Tab Murphy titled Godzilla 2.
The sequel would have involved the surviving offspring battling a giant insect in Sydney. Devlin stated, "They wanted to tailor it budget-wise, so it didn't make sense for us creatively.
They are disappointed, and you have to defend yourself". Sony had considered a reboot with the new series disassociating itself from the film.
An animated series was produced as a sequel and aired on Fox Kids from to In the series, Dr. Tatopoulos accidentally discovers the egg that survived the aerial bombardment before it hatches, in a minor change from the ending in the film.
The creature hatches after Nick Tatopoulos stumbles onto it and it assumes him to be its parent. Subsequently, Dr. Tatopoulos and his associates form a research team, investigating strange occurrences and defending mankind from dangerous mutations with the new Godzilla, which grew to full size in a few days, serving as humanity's protector from the new threats.
In , Toho rebooted the Japanese series with Godzilla , spawning the Millennium series.